Thursday, June 16, 2011

World of Warcraft, Fashion History, and so forth

It's been forever since I posted anything, I'm terrible I know. But I have realized recently that a lot of the comments I end up actually leaving have enough substance in them to be a "response" blog post. A couple weeks ago this nice lady Carol came over here after a comment I'd left on a blog we both read (and I really should start a series of posts on the things I discussed there), and was nice enough to be disappointed about my dearth of recent posts. And there's nothing like a total stranger believing you have something to say to make you believe you've got something to say. So I'm fleshing out a comment I recently left on WoW Insider, World of Warcraft blog I've been reading as I'm getting more and more into the game.

WoW Insider has a regular feature called "Breakfast Topic," and this morning they asked:

At what point does modern technology in World of Warcraft go too far? How far can gnomish technology really go? Is the game becoming too "steampunky?" Is that even a word?

Do you feel that introducing items from modern-day Earth into Azeroth interferes with the immersion of the game? Is it impossible to properly roleplay when someone just roared past you on what appears to be a Harley-Davidson with a sidecar attached to it? Or do you just shrug it off as gnomish eccentricity? Are the items properly introduced with a logical argument for why they exist, or are they there for the sole purpose of giving engineers something to do (and a way to make money hand over fist)? Do you personally own one of the mechanical vehicles, and, if you are a roleplayer, how do you work it into your storyline?


There was a lot of interesting discussion in the comments, with a not-insignificant number of people complaining that they didn't like to use guns as a "medieval-looking" character and so forth. I think that those people are fundamentally silly for thinking that a fantasy game somehow "has to be" medieval, so I told them so, armed with some Facts I've learned in my design classes and through my interest in design history over the years. Discussion of female underwear leans heavily on Elizabeth Ewing's Dress & Undress, a history of women's underwear in England which I'm currently devouring--highly recommended.

(Blockquote is things from my comment; non-blockquote, brackets, etc. are my attempt to explicate what I'm talking about for a non-WoW audience.)

So of course I thought of this response as soon as I left for work and didn't have time for WoW Insider at lunch . . . Anyways, my $.02 on the whole "Medieval" thing--the aesthetic of WoW is not really so much based on the actual Middle Ages here on Earth. At all. I am not a total architecture expert, but the cities and buildings we see are either completely imagined or drawn from a hodgepodge of historical times, it's not a dichotomy between medieval and steampunk. Even Stormwind, with its Gothic cathedral and crenelated walls, doesn't look much like any actual historical time/place combo.


Stormwind is the human capital city in the game. Below, a screenshot of my "main" (i.e., the character I play most), Syringe. She's a level 23 human fire mage, and yes that is her parrot. She's in Stormwind in the cap--as you can see, there's a bit of an old-timey vibe but the roofs are blue. There's also a player with googles, but that's not really anything to do with city architecture.

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And if you're basing this assumption on clothes, well, speaking as a "clothes nerd" (I have the same major as aspiring fashion designers), let's just take a look at cloth-wearing human females (which I am and my main is), who wear close-fitting bodices over a natural torso--that is, we can pretty safely assume no corsetry of any kind, just some sort of bosom support. (No jiggling.)


Here we've got a nice head-to-toe shot of Syringe, in a simpler outfit because sometimes I like to dress my characters pretty, not practical. Notice that even she is not immune to the problem of blinking when her picture's being taken. She's just like me you guys! Except for she's a natural redhead. And she knows magic.

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This is actually a very modern idea--the defined waist and fitted bodice first came into fashion in England in the twelfth century, but did not establish themselves firmly on the fashion landscape until the fourteenth--meaning that for most of the time period thought of as the Middle Ages, women in Western Europe (which I know is what you all mean when you say "Medieval") all wore loose-fitting robes, shifts or skirts. Because the fitted bodice was so closely associated with corsetry, it was not worn by women who needed to run or lift things--as our player characters do--for many hundreds of years after it was adopted by fashionable women. During the nineteenth century, women who performed physical labor sometimes wore restricting undergarments, but that didn't last. The "prom-dress" silhouette of a human female in a robe is very, very twentieth-century.


Look look! I'm doing magic!

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As far as the combinations of armor and guns--this is a world with magic. In the real world, we don't bring a knife to a gunfight, and we stopped wearing plate because once guns are in the picture it's just too encumbering and not protective enough; also because why would you spend that much money on cannon fodder? Whereas in WoW nearly everything the players use--our guns, our knives, our armor--is enchanted. When your toon [this is another word for "character" but it takes less space to type] puts on plate armor it can actually make you MORE agile than basic, close-fitting cloth, but somehow I still wear cotton/spandex blends when I do yoga.

I've only rolled one Horde character (I'm pretty much a total n00b) so I have less to say about their areas; but in a world where the Plains Indian-styled Tauren and the quasi-medieval Humans and some goat-inspired hotties from outer space with holographic technology are all in contact with each other isn't any less medieval than a world where gnomes build awesome shit out of gears.


Phew! A lot in there definitely would have been a bit over my head just a week or two ago. So let's unpack:

This is Ysylya. She's a level 20 Draenei frost mage. (Shut up. I like playing mages.) The backstory of her race is that they are from a different planet--Outland. (Most of the game takes place on the planet Azeroth.) But as you can see, the model for the race is pretty goat-y. She's currently in a human area, but the space-shippy background she's in gives you a good idea of the spaceship interiors that are very common in lower-level Draenei areas. (I can't go to Outland yet, I need to actually level instead of blogging.)

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It's a little easier to see the goat-based styling in this cap--look at the legs. Speaking of the history of underwear, wow is she working the Gibson Girl s-bend--I think it's got something to do with the way the cape interacts with the tail, but I think you'd even see the line if you took the cape off. The main difference between Ysylya and the ideal Gibson figure? The separated bosom.

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And finally, my Tauren:

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Not sure if I'll keep playing her--she's in a different faction (aka "side") as the other two, and can't be in the Alliance guild I play in with my boyfriend and his siblings and sister-in-law. We also all made a Horde guild but there's a limit on the number of characters you can play on any one server and at least one person was running out. Also the more literal animal-based races look kind of awful in the female form, so even if I wanted to play through all the content exclusive to that race I might want to be less scary-looking, aka I'd be a dude.

Now I'm off to go level Syringe's tailoring, and run a dungeon or two with the guild. I hope to keep up posting--I've got two jumping-off points for rambling on "women's work and the nature of making" not even COUNTING books I'm reading, I've got a lot more to say about WoW which I think would still be interesting to a non-gamer and some of which intersects with my identity as a maker, and of course if I've made quite a lot of things since last time I posted but that would require actually, you know, taking pictures.

Sunday, November 1, 2009

. . . Anybody here?

I don't actually know how I'd know if anyone even reads this thing. I miss Livejournal, where commenting was the easiest thing in the world and super common . . . but anyhow, I thought I'd give NaBloPoMo a shot. Which probably makes no sense at all considering how much time I manage to waste *without* trying to blog, but eh.

Got way too much homework to do today, so here's a few flickr pics of summer knitting and I promise to whip out the camera and start telling stories soon!

Colorado Ishbel

Colorado Ishbel

This is my Colorado Ishbel. Actual color of the yarn about halfway between those two pics. First lace I actually blocked on wires, and it was such a delight I'm planning on casting on an Estonian lace scarf soon, so I can encounter some actual challenges.

A lot of stories go with the knitting of this shawlette/scarf/thing, but I don't have time to tell them at the moment. If anyone comments and asks, I'll share a few, maybe try to get some of my dad's pics of me knitting it all over Colorado, but for now, here's the notes from the project Rav page:

9/17: So I finally blocked the thing (there was this whole saga where I ordered blocking implements, patiently waited until I knew they totally should have arrived because I didn’t want to be That Customer that complains because things don’t show up immediately, only to find I’d had them shipped to the wrong address), and pictures will be forthcoming–I just realized I was wasting away my Saturday editing them when there is all this beautiful weather out. Soon!

8/7: This is my souvenir of my family vacation to Colorado! I bought the yarn on the first full day, in Boulder. I knew I was going to use the yarn for Ishbel, but thought I’d wait to get home–but when I was getting my yarn wound, I decided to buy needles (I hadn’t thought to bring any extra) and get started right away. I knit in Boulder, in the car, in Rocky Mountain National Park, in Denver, and all the way home. I had to pause when it was time to bind off–I needed a larger needle (I actually ended up using a size 10), but despite the high stitch count and the slow going needed to keep the bind-off loose it only took about an hour, and now I have a fabulous shawl/scarf! I’m ordering lace-blocking equipment to keep things classy, but this project is done!! Now to work on those projects I thought I would make headway on in CO …


Happy November, everyone! If you read this, let me know in a comment: What would you rather see, WIP posts or FO posts?

Tuesday, June 23, 2009

Spinning

Thinking about doing Tour de Fleece this summer. Not that I'll be watching the Tour de France, but I have two spindles and two hibernating spinning projects. How embarrassing! So my goal would either to finish both projects, or to finish the spinning for Urchin completely and achieving some good solid progress on the red fiber. Or to spin every day on those two projects as well as finishing Urchin spinning Or something. Hmm . . . I'll keep thinking about this.

Thursday, June 18, 2009

Orange beret

Checked to see what sorts of posts I've left unfinished; the nucleus of this post is from June 7.

This is the story of my orange beret, shown below with incorrect color but the construction's shown off well.

Orange beret

My then-boyfriend (the Engineer) took me to the yarn store for Valentine's Day and told me to pick some things out for myself. He was a pretty awesome boyfriend while it lasted. We biked from campus to the yarn store, and stopped at a chocolate shop on the way. Also a RadioShack. He didn't actually buy anything there, but I get it. I go to this awesome crafty/"creativity-focused" store on my lunch break all the time, but the only time I've spent money there was on a journal over winter break.

Orange beret

Now I knew that the Engineer could certainly afford to buy me yarn, but he always talked bad about his exes (he probably still does, but now that I'm ex he'd rather talk about me than to me), and how it annoyed him so much when they expected him to spend more money than he could afford, but at the same time he wouldn't give me an upper limit. So I focused my search on the sale room, especially because that particular LYS had just decided to stop carrying Cherry Tree Hill and a few kinds of Noro. I actually focused pretty exclusively on the Cherry Tree Hill, which was all buy 1 get 1 free. There was some frustration, like a light fingering-weight semisolid silk which I really really wanted but would only have been affordable at 50% off. I ended up focusing on a variegated laceweight alpaca, but I find laceweight a little scary, and I was pretty sure I wouldn't like the color effects in anything I'd like the fabric for. But a yarn store lady helped me a lot in my indecision by suggesting that I'd like to double-strand it with some slightly-mottled orange worsted cotton.

Orange beret

I let the yarn sit around in my stash for a while; I'd already looked up worsted-weight cotton berets with some awesome fair-trade tweedy organic cotton yarn in mind, and I was leaning towards one of those patterns. But I left the yarn in skeins until about two weeks after Mardi Gras, the day after he broke up with me. The very next day, I was spending time with a good friend (the Seamstress; she gets a code name in case I ever want to blog about our affair, which is a whole nother thing) because I was hurting a lot and didn't want to be alone and sad. I'd been watching Dollhouse for a couple weeks, and convinced her watch the first episode to be my swift as I wound the laceweight. It's a good thing I chose a show with extra-long episodes; as it was, we watched through the "Grr Arg" before I could finish. I wound the cotton the next day, and promptly cast on. I didn't want the yarn to be a memento of my first "official" boyfriend and all the firsts that went with that; I wanted a hat for that.

Orange beret

I ended up using the Spring Beret pattern (Ravelry only) by Natalie Larson; if you want to see exactly what kind of yarn I used, here's the project on Ravelry. And all things considered, I think I'd rather have this gorgeous hat, which helped me heal, and which is associated with someone (the Seamstress) I was much happier with, and remain friends with, rather than skeins that remind me of a failed experiment and a man I unintentionally hurt. Wouldn't you?

Orange beret

Wednesday, June 17, 2009

Giveaway goodies!

I've got lots to talk about, but I suppose I'd better start out with an explanation of those random links (which were supposed to be for personal reference only and later become a foundation for this post if I ever got around to it). See, a while ago Sew, Mama, Sew sponsored a gajillion blog giveaways, and I entered most of the ones I was interested in the prizes for, even remotely. I won two: Four yards of sheer fabric from Sewing with Trudy (and her daughter Emily of Super Stitches), and a fat quarter of flowered fabric from Two Hippos.

Here's a true-color photo of the sheer fabric:

Sheer fabric

And here's me trying to show off just how sheer this is, and sort of failing, but it looks artsy anyways:

Sheer fabric

When I first found out I'd won, I thought that the print was much smaller (and the fabric less sheer) than it is, and I thought I'd like to make a shirt out of it, something Dawn might wear in Buffy Season 7 (hence the screenshots), but that feels a little bit Beyond My Skill at the moment, considering the slipperiness of the fabric. Also, I'm not sure how well a giant print will work on that sort of a design. A smaller floral would be really awesome, I do know that. But I have no idea what else I'd do with the fabric. I think perhaps it shall go marinate in the stash somewhere.

The fat quarter came in a lovely package, so of course I had to do a "process series" of opening the thing:

What a pretty envelope!

Flowered Fat Quarter

Never mind. What an ingenious use for nice paper!

flowered fat quarter

A very nice note inside:

flowered fat quarter

And the contents! She included some very nice squares of a different pattern, as well.

flowered fat quarter

This is closer to true-color, but a little more blurry:

Flowered fat quarter

Now, I've been a Very Bad Blogger and hadn't yet acknowledged that I've received these lovely prizes! But I won another giveaway today, which kind of shamed me into blogging. Besides, I'm not going to SnB tonight because I've already biked way too much (a saga involving size 2 circular needles and my inability to read), so I feel like I should blog before I knit to Buffy Season 7 and Skype my Love Interest.

But, anyhow! Today I won a giveaway on Craft Gossip for a book about how to score good vintage finds and how to modify them. It looks very Not My Style, but it probably has good techniques. And if it doesn't, well . . . there's always somebody who wants it.

Monday, June 15, 2009

Shirt inspiration for sheer fabric

I meant to save this thing as a draft for personal reference but I can't even figure out how to delete the damn thing, let alone un-publish it. So. Sorry.

http://www.screencap-paradise.com/caps/displayimage.php?pid=571167&fullsize=1

http://www.screencap-paradise.com/caps/displayimage.php?pid=569293&fullsize=1

http://www.screencap-paradise.com/caps/displayimage.php?pid=570981&fullsize=1

http://www.screencap-paradise.com/caps/displayimage.php?pid=569623&fullsize=1

Sunday, June 7, 2009

Catching up - Ysolda (the designer) and Miss Edith (the FO)

Last weekend, Ysolda (rav link), one of my most favoritest designers & bloggers, was in Madison on her not-so-whirlwind tour of the states. So of course I went to see her. And ended up suffering from a bit of that weirdness that can occur in the presence of celebrity-type people (yes, Ysolda, you are a celebrity in my world), and being really awkward, and feeling like I had made a bad impression in some way which made me feel even more awkward. Should have brought a friend. Oh well, live and learn . . .

The sample table was pretty fun. A lot of things looked much smaller on the mannequins or laying on the tables than on the models . . . I don't know why. Well, the sweaters (especially Little Birds (rav link) (which is on the first page if you Google)) did. The toys looked bigger.

Two of Ysolda's patterns have been calling my name ever since I first saw them--Vivian (rav link), a gorgeous cabled hoodie, and Rose Red (rav link), a cable-lace hat. I tried on the samples, and Vivian was my size (although apparently it was supposed to be Ysolda's . . .). Rose Red was too small--I have a gigantic head, but Ysolda sizes her hat patterns, which is great. I actually have a hibernating UFO of her one free hat pattern, Urchin (rav link|my project), which is actually how I found her.

Urchin

So now I'm planning to make both Vivian and Rose Red at some point. I'd really like a tweed Vivian--I was looking at KnitPicks City Tweed Heavy Worsted (rav link), but I don't know that I'd actually wear a jacket in many of those colors. (They've got a much better range in DK . . .) Also, despite KnitPicks being a relative bargain generally, a whole jacket of the stuff, even in my closer-to-the-small-end-of-the-spectrum size, is on the expensive side. Can't buy the pattern or the yarn until I get my next paycheck though, so plenty of time to compare prices. Rose Red is more of a long-term thing.

Anyhow, back to the trunk show: I'd started knitting a Poppy (rav link|my project) in the last week or so before I left school. She's named "Miss Edith" after Drusilla's doll on Buffy the Vampire Slayer because (1) I love Drusilla and (2) around the time I cast on I was being called “Miss Edith” rather often because Miss Edith’s always been naughty and needs to be punished. Of course, I'm such a stop-and-start knitter that she didn't even have one leg finished when I realized Ysolda was coming to Madison. I managed to get the entire body, as well as the hair, finished the night before, and cast on the dress. I worked on it at the store (a bunch of people, including a teacher from my old high school, sat and knit), but didn't get it finished. So here is my Miss Edith next to Ysolda's sample Poppy (the original!):

Poppy & Miss Edith

And here is me, Ysolda, Poppy, & Miss Edith:

Me & Ysolda (& Poppy & Miss Edith)

At this point I've finished the dress, but she's remaining faceless for the forseeable future, based on (1) a vague memory about Native American (according to a brief Google search, Iroquois) superstition that dolls should not have faces, (2) faceless dolls from some toy catalog we used to get when I was little, and (3) trepidation about my embroidery skills.

So here we go: I used heart-shaped buttons out of my mom's dentist cabinet sewing stash:

Miss Edith

Some art shots:

Miss Edith

Miss Edith

Miss Edith

Me & her:

Miss Edith & me

Look, we have the same hair!

Miss Edith & me

More pictures if you click through to either Flickr or Ravelry--I went a little snap-happy with that backyard sunset photoshoot.

And I had been going to blog another FO today, but writing a blog post always takes longer than I think it will. Things I didn't get around to: an orange beret (rav link) and the last four pictures I took in New Orleans (including some needlepoint). Talk to me--are these worth blogging? Do you want me to say witty things about them and give fun explanations including my ex-boyfriend?